A tale is told that it be made real in the mind of the hearer.
Anders Nordentoft - Doruntine () - Music Sales Classical
The physical theater of Blessed Unrest carries it a step further, bringing it partway into the material world, not through naturalistic enactment, but with a visual telling. They emerge, but retreat as well, torches reabsorbed by the night.
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Events shift in and out of comprehension, between past and present, promise and fulfillment, life and death, knowledge and uncertainty, English and Albanian, the subsistent and the enacted. The ODA-Blessed Unrest production feels mythic and trans-historical, but is not without its politics. The multi-nationality of the experience is added to by the ethnic variety of the New-York contingent. Yet it is also about the interaction of peoples and their responsibility to each other irrespective of family or nationality.
This leads to a burlesque.
Anders Nordentoft: Doruntine
Stres tortures a merchant until he admits that he and Doruntine conspired to pretend that the merchant was Constantine resurrected, then tortures him until the merchant admits that he made it up. In spite of the torture, Kadare allows the triumph of the culture to seem honorable.
And Kadare, having pulled the rug out from both the myth and the revelation, actually ends on a very dark note. The honor at work is completely contextual.
The intrusion of that realism on apparent folklore is unsettling. In The Palace of Dreams , Kadare applies the same realism to allegory and the results are bizarre. Mark-Alem, through his powerful family connections, gets a job at the totalitarian-ish Palace of Dreams, where submitted dreams from the country are analyzed for dangers to the state and prophecies of what is to come. And early on, with the mechanistic, though vague, descriptions of dream analysis and the corruption in the monolithic Palace, it resembles the allegories of Vladimir Makanin and Danilo Kis.
Instead, he focuses on Mark-Alem himself, and the political infighting between his family apparently based on a real set of longstanding nobles in Albania, and using the same name and the government.
His family, it seems, controls a key part of the Palace and are attempting to use it to reorient the government. This article needs additional citations for verification.
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